受伤的天使

电(diàn)影(yǐng)讲述(shù)了上(shàng)世纪九十年代(dài)的哈萨(sà)克小(xiǎo)镇(zhèn)，四(sì)个少年各(gè)自的生命(mìng)之路(lù)扎哈拉斯正在备受父亲的煎熬(áo)，后者(zhě)因(yīn)曾(céng)是一个诈(zhà)骗犯而找不到(dào)工作，为了帮(bāng)助(zhù)父亲，他不得(de)不在玉(yù)米(mǐ)加工厂🏭打(dǎ)工。巴拉潘(pān)有(yǒu)一把(bǎ)好嗓(sǎng)子，能(néng)够(gòu)将(jiāng)“万福(fú)玛(mǎ)丽(lì)亚(yà)”唱(chàng)的娓娓动听(tīng)，然而校(xiào)园(yuán)生活(huó)教(jiào)会(huì)他的是使(shǐ)用(yòng)自己的拳(quán)头(tóu)✊️而不是声音(yīn)。扎哈巴则(zé)在流(liú)浪(làng)在村(cūn)子里的垃(lā)圾堆(duī)中，寻(xún)找可(kě)以卖的废金属(shǔ)，他与其(qí)他三名(míng)同(tóng)龄(líng)离家出(chū)走(zǒu)的男孩👦子睡(shuì)在废弃(qì)的隧(suì)道(dào)中。阿斯兰正在为医(yī)药(yào)学(xué)努力，然而当(dāng)他说服(fú)自己的女(nǚ)朋(péng)友(yǒu)堕(duò)胎(tāi)之后，他的人(rén)格(gé)发(fā)生了彻底(dǐ)的改(gǎi)变(biàn)。　　A godforsaken Kazakh village in the mid-1990s where four youths are trying to find their way in life. Zharas suffers because his father, an ex-con, cannot find a job. To help make ends meet the boy takes on casual work at a corn merchant’s. Balapan can sing ‘Ave Maria’ as clear as a bell but his schoolmates provoke him into using his fists rather than his voice. Zhaba roams about the village ruins looking for waste metal he can sell. He comes across three bedraggled boys of his own age who have run away from a nearby home and are sleeping in a derelict tunnel. Aslan is about to take up studies in medicine but, after having persuaded his girlfriend to have an abortion, he undergoes a complete change in personality. After scoring a hit with his first film Harmony Lessons, which screened in Competition at the Berlinale in 2013, Emir Baigazin’s new work The Wounded Angel describes the mood of teenagers growing up in a time of great upheaval. The film marks the second part of a visually stunning trilogy about young people and their complex relationships in a world without a moral yardstick. berlinale 2016